Wednesday, April 10, 2013

Climbing High



Climbing High
(My first spiritual memory)

By Elizabeth Boubion


For Professor, Afia Walking Tree, M.Ed.
Spring Semester 2013
Course: Indigenous Wisdom
 Holy Names University, Sophia Center



     I was the seventh born child.  My mother's head dropped into her hands, “Please dear God, not another one!” It was 1971 and abortions were introduced in clinics, yet her Catholicism kept her from aborting me.  I was a pro–life child. 
     My father used to take me on walks to feed my brain….”  Make sure you marry a man who is kind and generous, who comes from a good family and who is healthy—it’s very important that they are healthy!”
     Mi papa, Octavio Durán Boubion otherwise known as “Dio” to his queridos was plucked out of the barrio of Boyle Heights in L.A. at age 14 by Father Sedvedo.  “Do you want to become a priest?  Father Sedvedo asked when Dio visited his best friend Ed at the seminary in Dominguez Hills.  “Oh yes!” He said when he saw how beautiful the seminary grounds were, how good the food was, how safe he felt in the company of priests. 
     He spent his formative years there but chose not to take his vows upon graduation because he wanted “wine, women and song”.  That’s what he tells everybody, feigning machismo.  Truthfully, he wanted the wine from church mostly, and a woman (singular) to make a family with, and the songs he listens to are strictly symphonic classical and choral music-  Bach, Beethoven, Mozart, Liszt, Handel…occasionally he plays mariachi music but my grandpa always told him that mariachi music was only played in bars.
     My father is a holy man….always with his heart facing heaven.  His voice is humble, melodic and kind, raised right by my Sonoran-born abuelitos, may they rest in peace.   But typically, like most men, my dad delights in getting away with things…. gloating in bending the rules when he gets the chance.
     For example, I was baptized by him.  He dribbled holy water on my head over the kitchen sink, in the name of the Father, the Son and the Holy Spirit when I was a baby.  My oldest sister and oldest brother were pronounced to be my “God Parents” at age 8 and 9…and I was pronounced to be a Catholic, not in the Catholic Church, but as a member of my family. 
     7 years later, when it was time for my first communion, my mother had to go talk to the Monsignor about signing the baptism papers.  “Dio baptized the two youngest ones at home”, she explained…. Would you mind signing off for him?”  She was the PR person in situations like these…. Being of the ruling class as a blue eyed, mild –mannered, Canadian-born, nurse that she was, who could say “no” to a woman who held herself like Queen Elizabeth, Mother Theresa and Jeanne Crain all at the same time?
     So, as it was, I was baptized by my wedded, un-chaste, un-ordained father.  I think this was a subversively political and personal act on my father’s part.  By having his cake and eating it too as a priest and family man.  And by performing my baptism at home, he was placing La Familia over La Iglesia, claiming his authority as “Father” over the religious institution of “Father”, and claiming a direct relationship with God with no interceding necessary. 
     This renegade attitude instilled in me in my infancy, back-fired on them to some degree, but I will stay in the realm of the early years…

     It was a quiet afternoon in the suburbs of L.A. and I was about 4 years old.  All of my siblings had gone to school and my father was at work.  My Mom and her best friend Marta, were in the living room drinking tea while I made myself busy finding innocent ways that I could bend the rules and get away with it. 
     I loved to climb.  My climbing stunts began with shoulders and hips, then tables and dressers, small trees, then taller ones… Eventually in my college years, I climbed boulders, sea cliffs, rooftops, walls, scaffolding and bridges, and when I arrived to the top, I would balance on 5 toes and shape shift into a feathered serpent dancing as high as I could.
     I was climbing in the bathtub this time while mom and Marta were sipping their tea.  It was easy.  No problem.  My 2 feet were straddling the sides of the tub, my arms stretched out open and free- when all of a sudden, I heard a man’s gentle yet commanding voice speak to me from the air…. "Get down Elizabeth".  I looked around the empty tile bathroom, caught and curious.  Who was that? I wondered.  So I climbed right down, went to the living room and asked, “Is daddy here?” “no,” My mother replied waiting for my next question. “Who was the man’s voice telling me to 'get down Elizabeth' ?"  They both looked at each other with smiles on their faces and then at me…. “That was God”…. “yes, that was God talking to you” they said, as if it was the most normal thing in the world.
     Hmmm….ok.  In that moment at age 4, I found out that mysticism was normal and God was in the bathroom.  I found out I was being watched when I climb and I‘m not alone. I experienced guidance from beyond.  I’m not sure I believed that the voice from the other side was God, specifically….but I accepted their words.  They believed me and that was all I needed.    I was recently told by a clairvoyant friend of mine that I have 2 Grandfathers who walk with me and protect me.  Ok.  Sure, that feels right, I could use some protection right now--my acceptance of her message from beyond was the same as my 4-year old self being told that God just talked to me. The minute she said it, I got a picture of the Grandfathers in my mind, tall like trees- long straight black and grey hair, dressed in full regalia.  A few years ago, I was told by a channel that I have 2 Goddesses flanking me on either shoulder… Sophia and Nada.  Ok, that makes a lot of sense too, and how beautiful….  Not sure what to do about it, but if feels as normal as breathing… somewhere between faith and doubt, between my right and left shoulder I, Elizabeth Chuparosa am living in the fragile place of center in between 2 energies of consciousness… Sophia did tell me… “any energy that is not your own, return to source in love and light, you can choose to just be with you”.  There will be moments when you can even tell the Goddess herself to leave and return to source.  Being with true Self means that only One energy resides in you, which means that there isn’t any separation between you and God/dess anyway.
     I have an odd feeling remembering that man’s voice telling me to get down in the bathtub…. You know, it’s hard to be told what to do by a man after so much of it, century after century, even if it is God or an angel.  I had a confrontation with this voice at age 40.  I told him, “Actually, I don’t want to get down!  I still want to climb and explore my limits and capabilities.  I want to fly….I want to trespass and get away with it… I want to meet spirituality in the balance point between two, meet you between the in-breath and the out-breath… co-create with the elements of nature,  traverse the boundaries of human construction  and meet in the delicate place of risk and beauty.  Thank you for your guidance and protection gentle voice, but I’m still going to climb.  I will listen to your warning signals and honor them…and I have a bond with gravity that keeps me climbing high.

Tuesday, November 20, 2012

Piñata Breakthrough! Performance Ritual

Photo by Carter Brooks. Dancers Titine Vos and Sharon Sato
Suddenly, I have a blog! Why didn't I start this before?  Beinvenidos!

PIÑATA 2012! Choreographed Disasters and Natural Events- Its 2012 and we are entering a new age.  Our inheritance of global warming, modernization, post-colonial memory loss, capitalism, consumerism and on and on... is tugging at our sleeves undeniably calling for our attention to change and lift the blindfold off.  As a dance artist and expressive arts movement coach,  I have been developing a movement based on the historical, literal, and metaphoric ritual of the Piñata. As a mixed race Chicana, I identify with her mixed race identity- claimed by numerous countries as their own.   The Piñata spins and flaps in the wind all over the world, in cities and backyards, claiming space for ART like a country flag.  She has been traveling over continents and across borders for centuries and has stayed alive and beautiful no matter how many times people appropriate her, smash her, and take all of her insides. She is immortal.  She celebrates birth... and she holds prayers for sustainability- as the Aztecs prayed into their clay pot vessle.  She reminds us to play, to trust, and not to loose our aim. (dale dale dale no pierdas el tiro!) She reminds us that we, ourselves, are impermanent works of art, and that each one of us is filled with nourishing goodness.  In essence, she is a symbol of life, death and creativity itself.

Piñata 2012 has been an ongoing re-construction of the Pinata Ritual from various points of view in honor of the ending of the Mayan Synchronometer.  As a budding permaculturist, and as a member of "Walking Tree Essentials" gardening and a part of Green Valley Village CSA farm,  I am wanting to align my life more and more in sync with nature and the cosmos rather than the colonialists imposed sense of time called the "Calendar"- based off of the money paid into the governement every month.  We are undergoing tremendous change, and each person has their own target.

An apocalypse (Ancient Greek: ἀποκάλυψις apocálypsis, from ἀπό and καλύπτω meaning 'un-covering'), translated literally from Greek refers to a revelation or unveiling of something hidden...In religious contexts it is usually a revelation of hidden meaning - hidden from human knowledge in an era dominated by falsehood and misconception.

Last Friday night Nov. 16, 2012, at Kunst-Stoff Arts in San Francisco we presented a Piñata Breakthrough Performance Ritual that was performed by workshop participants: Shoshana Greene, Maica Folch, Sharon Sato, Titine Vos, Amy Hougan and musicians Evelie Sales Posch and Jacob Johnson as well as installed video projections by Afia Walking Tree and a live ice melting sculpture by environmental artist Carter Brooks.  It was directed by yours truly.  It was fascinating to hold myself back from dancing in my own piece for the first time ever... this is something I have wanted to try for quite some time.  I was able to see and feel in quite a new way. I apologize to those of you who came to see me perform...but I am still recovering from a few bodily injuries and I was too busy producing to get into the studio.

Piñata, I think we are on to something.... comments from audience were surprisingly "genderized"... in that men felt that the blindfolded sensory walk and performance was very feminine and nuturing... even "motherly"... which I mistakenly thought it had nothing to do with gender and more based off  zen mind and finding presence through the senses....And the piñata breaking at the end was very male dominated according to some women.  One woman didn't want to come to the show because she didn't like the idea of "hitting".  And I thought the piñata was a pregnant thing wanting to birth and bust open....So, now I am fascinated with the spectrum of experience that was presented in this format and I am dying to do it again.

I found last Friday to be part of the revelation and a revolution that we are part of that has to do with restoring humanity in an apocalyptic era.  Re-Sensitizing our machine dominated world from the personal revelation to the planetary revolution... And bringing back in balance the feminine and masculine energy on the planet.  To enter a public space blindfolded with a sighted guide through a wonderworld of sounds, tastes, smells and tactile stimuli...then to witness a private act of women performing raw and undeveloped material of "breaking through" and unveiling the predominant paradigm for themselves...and finally to undergo your own witnessed "breakthrough moment" when putting your unveiled intention into every wack of that community ritual called "Piñata" is a subversive act of balance. 

As an artist, I feel amongst billions of women who are doing invisible work in the world... and I wonder how visible this project will become. I can imagine creating a Piñata ceremony every winter Solstice as my ancestors did to call back the sun and pray for 52 more years of life.  I have a feeling we will be needing to beg mercy from our Sun in years to come... the ice is melting and things are getting hot.